Loaves & Fishes Update

This just in from the Sun Herald:

Foundation will match donations to Loaves & Fishes
By DONNA HARRIS MELTON - Sun Herald

BILOXI — As donations make their way to the Loaves & Fishes Community Kitchen, a philanthropic organization has offered to double those dollars. The nonprofit John S. and James L. Knight Foundation will match donations — up to $10,000 — received by the Biloxi charity for the next 30 days, said foundation Program Director Adele Lyons.

Operating costs for Loaves & Fishes run about $11,000 monthly. Without additional funding, the kitchen, which provides free hot meals to homeless and hungry patrons is in danger of closing, said Executive Director Rita Baldwin. The kitchen serves about 6,000 meals a month.

The challenge grant could mean $20,000 Loaves & Fishes can use to continue its mission of “Feed the hungry, no questions asked.” “I’m hoping people will say, ‘Gosh, if I give a dollar it turns into $2,’” Lyons said...

With Loaves & Fishes’ landlord decreasing its rent for six months, and Baldwin’s cost-cutting measures, she estimates she can get operation expenses down to less than $10,000 monthly. The match from the Knight Foundation could keep the doors open through October, Baldwin said. The Knight Foundation serves 26 areas nationally where the late John and James Knight owned newspapers, including the Sun Herald.

SO, my good friends, that means that any money you donate through our little soul detective fundraiser here will be automatically doubled... very cool. Please take a moment to click through and help out:

THANKS!

Loaves & Fishes

If you've been following the ongoing saga of Sir Lattimore Brown, you are familiar with The Loaves & Fishes 'Soup Kitchen' and Food Pantry in East Biloxi, Mississippi. This is the wonderful place where the people let Lattimore use the phone when he runs out those cell phone minutes, as he does most every month. I can't say enough about how much Miss Rita, Miss Kathie and everyone else down there means to him and the rest of the community.

Since 1983, Loaves & Fishes has been providing food for the hungry, with no questions asked. Completely devastated by Hurricane Katrina in August of 2005, they rose from the rubble to become an integral part of the relief effort. In addition to feeding those in need, they were also able to provide other essential services for the hundreds of people left homeless by the storm... not to mention those who had died, broken and alone.

Now, almost four years later, all of the disaster related funding has run its course and they are in serious financial trouble. As reported in The Biloxi Sun Herald on Monday, they will be forced to close their doors by the end of August unless they can find some additional funding. As executive director Rita Baldwin, who was homeless herself ten years ago, told the paper "Diners have changed over the years to include families and workers who traditionally didn’t eat at soup kitchens... the only requirement to eat at Loaves and Fishes is to be hungry."

Miss Rita and Sir Lattimore spoke with James Edwards about all of this for the Sun Herald website :


"We're praying for a miracle," Miss Rita said.

Please don't let this good thing end. Join Sir Lattimore and myself in helping out this worthy cause. Click below (or on any of the links you'll find on all of my pages) to donate whatever you wish:

Together we can do anything!

The Jackson 5 - I'm So Happy (Motown 1194)

I'm So Happy

MICHAEL JACKSON
1958-2009

Percy Milem - Crying Baby Baby Baby (Goldwax 315)

Crying Baby Baby Baby

I'm kind of telling this story backwards, but bear with me...

You already know what a fan I am of the Goldwax label. It was home to some of the best Memphis Soul ever recorded. This awesome side we have here today is, in the words of our idol John Ridley, "...the pick of the bunch. Simply one of the best songs ever put out by the company." I hear that.

Percy Milem was the lead singer for The Lyrics, the Memphis vocal group who had the first ever R&B release by Quinton Claunch and Doc Russell, Darling (Goldwax 101). Their second single for the label was picked up by ABC, but didn't do much. At that point, they apparently decided to cut Percy as a solo artist, and released two 45s on him, this one (whose rockin' A Side, the George Jackson penned Call On Me, should have been a hit), and the way cool two-sider She's About a Mover/I Don't Know What You Got (But It's Got Me) (Goldwax 326). Both of these records go for over $100 if you can find them...

Released in 1966 and 1967 respectively, these singles (as you can hear on today's selection) both feature the unmistakeable sound of our Memphis guitar hero, Reggie Young. I'm guessing it was recorded at American Sound, although it's entirely possible they cut it at Sam Phillips... either way, with Young on the guitar, I'd bet the farm that's the rest of the Memphis Boys on there as well... keep that in mind. Anyway, Claunch apparently thought enough of Milem to invite him back to record (along with James Carr) when he revitalized Goldwax in the 1980s, resulting in The Many Moods of Percy Milem, which was re-issued on Black Grape by our man Garry Cape not too long ago.

Now... as you may have seen over on the red kelly channel, my man Chase Thompson was in town last week, working on the I'm Not Through trailer. "There's this Lattimore song on iTunes," he told me, "that I've never heard before. I asked him about it while we were down in New Orleans, and he said he didn't remember where he had recorded it, or anything else about it." Hmmm... I thought, this sounds like a job for soul detective! Sure enough, the song in question, The Man Next Door, is not listed in either of the discographies I've seen; the Japanese Vintage Soul page, or the addendum to the In The Basement article (issue #53).

Interestingly, a couple of the Friends of Lattimore (Danny Morrison and Pierre Baroni) emailed me to draw my attention to this:

This is the first copy of this 1977 John R compilation of Lattimore's Sound Stage 7 era material that I've seen for sale in the three years I've been looking... and the price is way out of my league! The album included some previously unreleased material (like Boo Ga Lou Sue and It Hurts Me So Bad), but not 'The Man Next Door'. It's not on the current re-mastered Soulscape package, Only I Can Tell The Story, either.

When I listened to it, I thought Nashville right away, as it has this whole Owen Bradley sort of Country feel to it. As a matter of fact, it immediately puts you in mind of the great Harlan Howard song that John R cut on Ella Washington, He Called Me Baby (as we all know, Chuck Chellman would cut Lattimore on another great Harlan tune, I Wish I Felt This Way At Home, at Fame in 1969). So I started looking around. I found a tune with the same name by Country fiddler Benny Martin that was cut on Music Row in 1962. Bingo, I thought, only when I listened to it, it was a different song entirely. I checked the BMI and ASCAP databases and found a few others... one written by our recently deceased Queen of the Blues, Koko Taylor, but that wasn't it either. There were some Reggae versions... no dice.

Next, I found one written by a woman who owned a Knoxville, Tennessee publishing and promotion company. This had to be it, I thought, Lattimore lived in Knoxville for years (and, as we recently found out, his daughter still does!). So I emailed her. Wrong again...

Somehow, though, I knew I had heard this song before... maybe it had the wrong title. So I googled some of the lyrics and found this YouTube page. There it was! The same song... only there was no label or artist information, only '07 He cried baby baby'. But I knew that guitar, it had to be Memphis... had to be Reggie Young. Then the light went on - Goldwax! After that it was a cinch to track it down, and find out the real title. Although I had it on the supremely excellent The Goldwax Story Volume 2, I prevailed upon our deep-crated benefactor in The Netherlands, Peter H, for the vinyl.

Here's the previously unknown Sir Lattimore Brown version:


The Man Next Door

It appears on iTunes in two different compilations, the subsonic Please, Please, Please, which was released in April of 2008 by something called 'Jukebox Entertainment' and 19 Best of Lattimore, which was made available on iTunes just this past April by 'Platinum Records'. Who are these people? What's their deal? They somehow license this stuff for less than the 99 cents they get from Apple, and put it up there figuring they don't have a whole lot to lose. I can tell you this, Lattimore gets nothing. Not one cent out of those fine ninety-nine... and it seems fairly obvious, judging from the fact that they can't even bother to get the titles right, that the songwriting and publishing 'mechanicals' are not being paid either... but I digress.

It was written by a lady named Dorothia Hester. Despite my best efforts, I've yet to find out anything about her...

So, whaddya think? Nashville or Memphis? Did John R and Allen Orange cut it in Music City, or bring it with them to the Bluff? OR (which is my guess) did Chips and the Boys pitch them this song they had already cut on Percy when Sound Stage 7 started recording at American in 1967?

My pal Erick Crews (the son of Don Crews, Chips' partner at American Sound) sent me this 1982 photo of the mythic studio that he found on the web just last week. It may be the best picture yet discovered of 827 Thomas Street... you know that part in the trailer where Lattimore is kind of looking both ways in front of this overgrown vacant lot?

...well that's what the corner of Chelsea and Thomas looks like today. What a shame. Let it be known out there (as if you didn't know already) that I am on a mission to get American Sound the hometown recognition that it deserves, before it's too late.

Like that.

We're Not through...

Here is the brand new trailer for the upcoming Soul Detective production of the Chase Thompson documentary film I'm Not Through - The Legend of Sir Lattimore Brown.

Chase and I worked together this past week in creating this preview so we could present all of you with a first glimpse of the incredible footage we've been getting of Sir Lattimore over the past year. Our man in The Netherlands Paul Pollman came through for us once again, bringing his world class graphic design to the project.

Special thanks to all of you who have supported us in our efforts to get Lattimore Brown's story told.

are you ready?

your show of shows

Hey folks, how's everything?

Over the course of the last few years here, I've written about a lot of stuff. Most of it anchored by true vinyl goodness, as we've explored the history of this music together. There are now almost 500 45s rattling around out there on my pages that you can hang out with and listen to anytime you want. I'm proud of that, and I'll continue to do what I do with the records, not to worry... but I feel like there's more that needs to be said.

One thing I've learned as I've been doing this is it's not just about the records, it's about the people. I've met some very cool people in the course of all of this... warm and genuine people that have become friends. I wanted to find a way for all of us to kind of interconnect and communicate, and not necessarily as part of a post about some 45. Real Life goes on, and I wanted to find a way to share that with all of you.

I thought about another, less audio-based blog page, but somehow it just wasn't happening. Then I thought about YouTube. I'd been posting some videos over there as part of the O.V. and Lattimore projects, and when you sign up, they give you a 'channel'. What if I used that channel to put up some kind of a show instead? A show where I could talk to people and take phone calls and stuff, in addition to what we do over here. It just might work... who knows?

Anyway, I've decided to give it a try:

The URL of the red kelly channel is: www.youtube.com/redkelly

We'll see what happens.

Lattimore Brown - Darlin' Dear (Excello 2196)

Darlin' Dear

Our pal Ben The Balladeer asked about the flip of Excello 2196 in the comments last week (this is, after all, The B Side!), so I figured we'd check it out. Despite about a three year standing search on both eBay and Gemm, I've never seen one of these 45s offered at any price. Special thanks go, once again, to our benefactor Peter over in The Netherlands, who may just own the only copy of this record!

Recorded upstairs from Ernie's, it's got that underwater feel we all love. I'm not sure if they were trying to make the organ sound like a pedal-steel, or if that's just a tape speed issue... but, once again that's Jimmy Beck and the band backing him up. Latimore's really singing on this one, which may just be his most commercial rock & roll record, clearly aimed at the teenaged radio audience.

In 1954, The Counts had a top ten R&B hit with a tight doo-wop number called Darling Dear, which was subsequently redone a few years later by Sanford Clark. Both of those 45s appeared on Dot, which was the label run by Randy Wood, whose 'Randy's Record Mart' was Ernie's chief competitor in those days. Although they certainly sound alike (which may or may not have been on purpose), after several listens, I can tell you that today's selection is a different song entirely, and was written by someone named Leslie Finney (it is also a different song entirely from the Motown number covered by both Smokey Robinson and the Jackson 5 ten years later)...

In other news, I just got the photo album and slide show of Sir Lattimore's New Orleans adventure up over on soul detective. Check it out!

Also, don't forget that Nobody Has To Tell Me, which features the very first appearance of those killer Renegade cuts on CD (not to mention those primo liner notes), is now shipping from our friends at Soulscape. Order yours today!

...and now, with the fine weather actually upon us, we're gearing up for a big fat Memorial Day blow-out over here.

Happy Summer Y'all!