There Goes My Used To Be"Roosevelt called me up in the middle of the night,"
recalls Quinton. "He says, 'Hey, man, I got these guys I sure would like you to hear.' Well, I'd already gone to bed, it was after midnight, and he says 'I got a little home recording. Would it be okay if I come out and let you listen?' I said, 'Man, come on.' I was living right here, same place, and he came out with a little recorder, and we got down on the floor in the living room, and he played me his tapes, and they just knocked me out. And we took O.V. into the studio."
- from Peter Guralnick's Sweet Soul Music"I remember the way I met James and O.V.,"
says Quinton, "It was right here on my doorstep in 1963, when I heard a knock on my door at about ten o'clock one night and found Roosevelt Jamison, James Carr and O.V. Wright standing there. They had this little portable tape recorder, so we sat right down here on this floor and listened to some tapes. Both of them just knocked me out, and I made moves to sign 'em on the spot."
- from Barney Hoskyns' Say It One Time For The Brokenhearted
As I've said before, "...it remains a shining moment that lives on in all of our imaginations."
It sure does. When I first read those words some twenty years ago, I never could have imagined this:
As part of our weekend long tribute to O.V. Wright, we will be hosting an informal luncheon with Roosevelt Jamison
and Quinton Claunch
on November 15th at 12 noon. How cool is that?
We'll be doing lunch at the fabled Rendezvous
, one of the Bluff City's most venerable institutions, which has been serving up their trademark 'dry' ribs downtown for over sixty years. We'll have the opportunity to sit down and talk with these two legendary figures about that fateful night in Memphis Soul history that somehow changed everything. This should really be something, folks! For more information, and to reserve your seat at the table, please click here
This cool song we have here today was actually supposed to be the A side of O.V.'s first secular release, but the mighty, mighty That's How Strong My Love Is
just took over. Roosevelt Jamison wrote both sides.
In my post
about that timeless flip last year, I said "A couple of questions I have about this monumental record remain unanswered... Guralnick reports that Claunch 'took O.V. into the studio'... what studio? I'm guessing FAME, but I'm not sure. It'd be great to identify that cool guitarist..."
I asked Roosevelt about the studio... "Let me see,"
he said, "I think it might have been over on Chelsea..."
Chelsea, I figured, could only mean one thing, American Sound
, in the early days of its existence. Still I wasn't sure, so I called Chips Moman
. "Yup, it was American,"
he told me. We talked a little bit about who the guitarist might have been, Reggie Young
, Chips himself? "I can tell you this, it wasn't Reggie,"
he said, "and it might have been me, only at that point I was spending most of my time behind the board..."
We'll have to ask Quinton over lunch, then.
Come join us